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Partch, H.: Historic Speech Music Recordings (Enclosure 2)
Partch, H.: Historic Speech Music Recordings (Enclosure 2)

Partch, H.: Historic Speech Music Recordings (Enclosure 2)

Album by Harry Partch
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1
I am Harry Partch
I am Harry Partch
Harry Partch
00:24
2
I'm going to start right off by giving you some sounds…
I'm going to start right off by giving you some sounds…
Harry Partch
00:30
3
Bitter Music: June 11, 1935 — Santa Rosa, California
Bitter Music: June 11, 1935 — Santa Rosa, California
Harry Partch, Warren Burt, Sheila Guymer
00:27
4
By the Rivers of Babylon
By the Rivers of Babylon
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
03:25
5
Birds in Rainforest Paradise
Birds in Rainforest Paradise
Ready Baby Music!, Rest & Relax Nature Sounds, Winds and Oceans
02:26
6
Bitter Music: June 12 — Federal Shelter, Stockton
Bitter Music: June 12 — Federal Shelter, Stockton
Harry Partch, Warren Burt, Sheila Guymer
03:36
7
Texts and Music: A Wagnerian Wrestling Match
Texts and Music: A Wagnerian Wrestling Match
Harry Partch
01:22
8
2 Settings from Finnegans Wake: No. 2, Annah the Allmaziful
2 Settings from Finnegans Wake: No. 2, Annah the Allmaziful
Harry Partch, Lola Harding, Dorothy Holden, Hilmar Luckhardt
02:20
9
Bitter Music: June 13
Bitter Music: June 13
Harry Partch, Warren Burt, Sheila Guymer
01:28
10
17 Lyrics of Li Po: A Dream
17 Lyrics of Li Po: A Dream
Harry Partch, William Wendlant
04:34
11
Dark Brother
Dark Brother
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
07:37
12
Bitter Music: June 14
Bitter Music: June 14
Harry Partch, Warren Burt, Sheila Guymer
02:22
13
17 Lyrics of Li Po: An Encounter in the Field
17 Lyrics of Li Po: An Encounter in the Field
Harry Partch, William Wendlant
00:47
14
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
Harry Partch
02:14
15
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
Harry Partch, Warren Burt, Sheila Guymer
03:27
16
17 Lyrics of Li Po: On Hearing the Flute
17 Lyrics of Li Po: On Hearing the Flute
Harry Partch, William Wendlant
01:00
17
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
Harry Partch
06:05
18
Bitter Music: June 17
Bitter Music: June 17
Harry Partch, Warren Burt, Sheila Guymer
00:26
19
17 Lyrics of Li Po: The Intruder
17 Lyrics of Li Po: The Intruder
Harry Partch, William Wendlant
01:10
20
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
Harry Partch
01:05
21
Bitter Music: July 4
Bitter Music: July 4
Harry Partch, Warren Burt, Sheila Guymer
03:50
22
17 Lyrics of Li Po: I am a Peach Tree
17 Lyrics of Li Po: I am a Peach Tree
Harry Partch, William Wendlant
01:26
23
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
Harry Partch
01:35
24
17 Lyrics of Li Po: With a Man of Leisure
17 Lyrics of Li Po: With a Man of Leisure
Harry Partch, William Wendlant
00:47
25
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
Harry Partch
01:07
26
17 Lyrics of Li Po: A Midnight Farewell
17 Lyrics of Li Po: A Midnight Farewell
Harry Partch, William Wendlant
01:19
27
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
Harry Partch
00:53
28
17 Lyrics of Li Po: Before the Cask of Wine
17 Lyrics of Li Po: Before the Cask of Wine
Harry Partch, William Wendlant
02:10
29
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
Harry Partch
01:24
30
17 Lyrics of Li Po: On the Ship of Spicewood
17 Lyrics of Li Po: On the Ship of Spicewood
Harry Partch, William Wendlant
02:31
31
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
Harry Partch
01:52
32
17 Lyrics of Li Po: By the Great Wall
17 Lyrics of Li Po: By the Great Wall
Harry Partch, William Wendlant
01:56
33
A Quarter-Saw Section of Motivations and Intonations: Close Degrees
A Quarter-Saw Section of Motivations and Intonations: Close Degrees
Harry Partch
01:08
34
The Use of English in Serious Music
The Use of English in Serious Music
Harry Partch
00:57
35
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
Harry Partch
01:23
36
Barstow: 8 Hitchhikers' Inscriptions
Barstow: 8 Hitchhikers' Inscriptions
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
08:26
37
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187;
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
Harry Partch
02:24
38
San Francisco: A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
San Francisco: A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
Harry Partch, Lee Hoiby, Christine Charnstrom
02:29
39
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
Harry Partch
02:27
40
Life Is too precious to spend It with important people
Life Is too precious to spend It with important people
Harry Partch
01:29
41
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oed
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oed
Harry Partch
03:56
42
US Highball: A Musical Account of a Transcontinental Hobo Trip
US Highball: A Musical Account of a Transcontinental Hobo Trip
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
26:46
43
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus,
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
Harry Partch
02:39
44
My Heart Keeps Beating Time
My Heart Keeps Beating Time
Harry Partch, Philip Blackburn, Liz Schmidt
01:36
45
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother,
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost Are found again…"; "until our hearts Are corrupted, out talent wasted, and
Harry Partch
04:04
46
San Francisco II
San Francisco II
Harry Partch, Mark Enslin, Keith Johnson, Arun Chandra, Rick Burkhardt
02:50
47
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Street,
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freight
Harry Partch
01:45
48
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Bewitched
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Bewitched
Harry Partch
06:12
49
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
Harry Partch
10:42
50
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
Harry Partch
06:52
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